Through the hypnotic beats of ‘Savage Mode’, he barely breaks character Whose experiences of hell are lucid, and recent. Each threat- howeverĮxcessive- is delivered in a slow and sinister half-whisper: the voice of a man Like ‘Mind Yo Business’ and ‘Lord Forgive Me’, that world is one of facelessĬorpses, bodies savaged by demons and riddled by bullets. His world-building conveys a mood without overselling it. When they had me in that cell, I was beefin’ wit time (YouTube playlist) The Pharaoh & Mike Sherm - ‘Charlie 2’ (September 2019) Just a misanthrope here to sound out his nastiest thoughts. But he seems to rap best on tracks like ‘Sum It Up’Īnd ‘Onna Gang’ when he embraces his role of pantomime villain for what it is: Paranoid and fatalistic (‘Ridin’, ‘Long Run’, ‘Right Hour’) other times brazenĪnd fearless (‘Paramedic’, ‘When U See Me’) and sometimes he’s all of those Of his verses ranges from righteous indignation to gleeful hatred. Of syllables landing on beat and each line laced with venom. He delivers them in angry bursts: flurries Yhung T.O outshines his (former?) groupmates with his meandering hooks, DaBoiiĪlways hits the hardest with his raps. Of SOB x RBE at the tail-end of 2020, and though there might be times when Cell, I was beefin’ wit’ time…(Best of DaBoii)
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